Avid pro tools 11 mac keyboard3/4/2023 ![]() HD users have 17 new, highly configurable options including various VU, PPM and K-scale meters, and even gain-reduction meters that can show you the aggregate gain reduction of several compressors in a chain!Īll 11 users can now see output meters in the expanded send views (all ten at once if you like!), so you can actually see where that surprise reverb is coming from! And you can hide your Mix window faders completely if you're using a control surface - makes sense doesn't it? So what else is new? Native users can now choose between the new default Sample Peak, Pro Tools Classic, Venue Peak and Venue RMS meter types. This is just the tip of the metering iceberg though as there are now some Pro options for HD users.īoth Native and HD users will find a new metering pane in the Preferences menu. Eye openersĪpart from minor cosmetic changes the Pro Tools look is the same, but the most obvious improvement is the 30% longer meters in the Mix window. A PT10 session that was close to maxing out the computer and thoroughly unstable opens without fuss in 11, with CPU, DSP and RAM headroom for miles. ![]() And then there's dynamic CPU.Īll this adds up to a stinkingly powerful system. This is a new build from fresh, clean code, and claims to extract more power from your existing hardware set-up, whether that's native, HD Native or HDX. ![]() You no longer get to choose how many cores you use or limit the extent of the usage The Avid Audio Engine decides. ![]() You'll see a performance meter for each CPU core of your machine. But when you open the playback engine and System Usage windows you immediately know you're not in Kansas anymore. Once you've done a Pro Tools install you usually sort out your I/O settings, and configure your CPU usage, buffer sizes and so on. "It's a new build from fresh, clean code, and claims to extract more power from your hardware" Some very basic features are disabled in the non-HD versions, for example channel input monitoring. This is no longer the case with PT11 where you can now pay for an upgrade to PT11HD. The Native version, simply PT11, comes as software only for use with non Pro Tools HD hardware, but up until now has been un-lockable, thus enabling PTHD's capabilities by buying the costly Complete Production Tool Kit (CPTK). The PT11HD version of the software is what you get when you buy an HD Native or HDX card based system, and has more tracks, busses, editing options, utilities, and so on. Some developers including McDSP and VSL have already delivered 64-bit AAX versions, both Native and DSP - thanks guys!Īs you've noticed there are more abbreviations here than a military radio message, but it's probably a good idea to define Native and HD in terms of the software. Your 'pre 11' RTAS, TDM and 32-bit AAX plugs are loaded from the Digidesign and Avid folders respectively, and apart from the odd request from PT11 to move unsuitable 32-bit AAX plugs into the unused folder, all runs very well.Īll the big software players including UAD and Waves have pledged support, and are mostly in final stage beta for AAX native. Once you've installed the v11 HD drivers you're good to go. So v10 remains where it always was, and v11 lives at the top level of your Apps folder. Installing v11 is done by dragging the icon into the App folder alias. Installing the v10 upgrade keeps everything where it is. It's going to be a while before all your favourite toys are available as 64-bit AAX, so you can run PT10.3.6 and PT11.0.1 side by side on the same machine. What lies ahead? Run 10 and 11 in parallelĪvid has understood the need to manage this transition. Figuring out the cost is tricky too weighing up the pros and cons of upgrades/crossgrades/software amnesties and hardware exchanges can take literally days, hundreds of diagrams and the permanent loss of vital brain cells! So, heated arguments about Avid's business models aside, let's assume we're going to make the leap.
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